{"id":776,"date":"2010-12-18T02:57:00","date_gmt":"2010-12-18T08:57:00","guid":{"rendered":"https:\/\/www.tameri.com\/wordpress\/poetponders\/?p=776"},"modified":"2026-07-01T17:02:05","modified_gmt":"2026-07-01T22:02:05","slug":"contour-and-dramatica-follow-up","status":"publish","type":"post","link":"https:\/\/www.tameri.com\/csw\/2010\/12\/18\/contour-and-dramatica-follow-up\/","title":{"rendered":"Contour and Dramatica Follow-up"},"content":{"rendered":"<p>Two months ago I introduced the idea of using Contour or Dramatica to outline a novel or screenplay. These applications are marketed primarily for screenwriting, but they do mention novels in their promotional materials. I would only use Contour for screenwriting, but I would recommend Dramatica to anyone writing a long-form work.<\/p>\n<p>Contour&#8217;s questions assume a blockbuster script will progress through four stages. These stages represent the emotional growth of the main character.<\/p>\n<ol>\n<li>Orphan: The main character is literally or metaphorically abandoned and isolated from others.<\/li>\n<li>Wanderer: The main character wanders through events, looking for a place or role that will end the feeling of isolation.<\/li>\n<li>Warrior: The antagonist creates a situation that forces the main character to face any doubts and fears. The two characters engage in direct or indirect conflict.<\/li>\n<li>Martyr: The main character consciously chooses to make a personal sacrifice to accomplish the primary task of the story.<\/li>\n<\/ol>\n<p>This is a &#8220;Hero&#8217;s Journey&#8221; model, familiar to readers of Joseph Campbell. It&#8217;s simple, familiar, and effective for a screenplay. It&#8217;s not detailed enough, in my opinion, for a great novel or a complex film.<\/p>\n<p>Comparing Dramatica to Mariner Software&#8217;s Contour 1.2 is almost unfair. Contour offers only a single, simplistic story model: the Hero&#8217;s Journey. Contour is fine for that one-story template, but it seems forced when you load the sample analyses of various movies and novels. Dramatica, however, handles almost any imaginable story structure.<\/p>\n<p>If you want to learn Dramatica, load the sample stories, from the film classic Casablanca to the Toni Morrison novel Sula. Loading a story and then stepping through Dramatica helps make sense of the complex theories behind the program.<\/p>\n<p>I had a half-finished manuscript sitting around that I decided to fix through Dramatica. It took a week to enter the characters, their personality traits, and various plot points. What Dramatica revealed to me was a problem with the characters: they were not distinct enough. There were minor differences, but not nearly enough contrast.<\/p>\n<p>That is what Dramatica does best: point to the conflicts and contrasts necessary for a compelling story. If you have a logical character, you should have an emotional character to provide contrast. If you have a guide, you also need someone trying to mislead other characters. Sure, it seems simple and obvious, but it is easy to write what seems like a great story until you discover something is missing.<\/p>\n<p>Answering the 250 questions asked by Dramatica took most of a week (writing during the evenings). These are not simple questions; simple is not what Dramatica does. Dramatica is more than most people will ever use, I fear. It requires dedication to work through Dramatica, more dedication than I believe any of my students have exhibited. It took me nearly four hours to outline two characters in Dramatica, working from notes I had compiled while writing the rough draft. The &#8220;Hero&#8217;s Journey&#8221; of Contour became a plausible meandering in Dramatica, with a depth that helped me reconsider several plot points.<\/p>\n<p>I am not even going to try to explain Dramatica&#8217;s questions or screens. I encourage you to visit the Write Brothers website and learn about the software.<\/p>\n<p><a href=\"http:\/\/www.dramatica.com\/\">http:\/\/www.dramatica.com\/<\/a> <a href=\"http:\/\/www.dramatica.com\/theory\/articles\/Dram-differences.htm\">http:\/\/www.dramatica.com\/theory\/articles\/Dram-differences.htm<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two months ago I introduced the idea of using Contour or Dramatica to outline a novel or screenplay. These applications are marketed primarily for screenwriting,&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.tameri.com\/csw\/2010\/12\/18\/contour-and-dramatica-follow-up\/\">Continue reading<span class=\"screen-reader-text\">Contour and Dramatica Follow-up<\/span><\/a><\/div>\n","protected":false},"author":2,"featured_media":1875,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":22,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[7,8,10],"tags":[131,169,398,478,499,594,605],"class_list":["post-776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teaching","category-technology","category-writing","tag-creative-writing","tag-dramatica","tag-outlining","tag-screencasting","tag-software","tag-word-processing","tag-write-brothers","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Contour and Dramatica Follow-up - C. 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